Ömer tekbilek why

At the age of eight, he began his musical career by developing proficiency on kaval small diatonic flute. His musical interests were being nurtured by his older brother and by a sympathetic uncle who owned a music store and provided lessons. While working in the store, Tekbilek learned the intricate rhythms of Turkish music and how to read scales, and other rudiments. He was trained on and eventually mastered several instruments such as ney bamboo flute , zurna double-reed oboe like instrument with buzzing tone , baglama long-necked lute , oud classic lute , as well as percussion.

By the age of twelve, he began performing professionally at local hot spots. In , Tekbilek moved to Istanbul, where he and his brother spent the following decade as in-demand session musicians. He stayed true to his folkloric roots, but during this period of frenetic session work in the metropolitan music scene, Tekbilek explored Arabesque, Turkish, and Western styles and the compositional potential of the recording studio.

Takbilek was profoundly influenced by their mystical approach and fusion of sound and spirit. After establishing himself as one of the top session musicians in Turkey, Tekbilek began touring Europe and Australia. It started as a pop band but very quickly turned into a sort of Pan-Near Eastern ensemble. They began to attract some attention within the circle of Middle Eastern dance fans. They managed to record five albums during this time. In , he met with Brian Keane and produced another six recordings together in following years.

Tekbilek has contributed to numerous film and TV scores and many recordings including world sacred music albums. He views his approach as cosmic and his commitment to music runs deep. Then one night Faruk shows up, looking like he was right off the boat. His playing was so emotional; he really stood out. As far as he knew, this combination hadn't been done before, but Keane invited Tekbilek to his studio to try it. It was magic from the start. Faruk brought in some of his friends, and the soundtrack was soon finished.

But that's not the beginning of the story It began at home, in the small town of Adanali, Turkey. So he told me, come after school, open the store, and I will teach you. At 15, he quit school to become a professional musician. Music for me is not something to show off.

It's my life. It's the shortest path to God. Playing is prayer for me. He did not join the order, but felt profoundly influenced by their mystical approach to sound and to the spirit. Another, almost equally mystical influence would soon appear, from an unlikely source.

The young Tekbilek became friends with a saxophone player named Burhan Tonguch, who had some unusual ideas about music theory. He put the idea in my mind that everything is a rhythmic instrument. And everyone is a percussionist. Without the strike, there is no sound. The Tree of Patience was about to put out an unexpected limb. He took a job with a clothing company, and by his own admission, "struggled with the idea for a while.

For several difficult years, Faruk would punch a time card on Friday and then drive down to New York City for work in the Middle Eastern clubs there. And when I accepted it, I was able to do my job and my music better. And when the time came, I was ready to move on. For much of the s, Faruk continued to work a weekday job while raising three children and playing music on the weekends.

The Sultans managed to record several albums during this time, and began to attract some attention within the circle of Middle Eastern dance fans.